This work draws inspiration from the early 20th-century Futurist movement, a time when artists enthusiastically embraced the possibilities of technological progress and imagined a utopian, capitalist future shaped by innovation. However, history has told a different story. Rather than liberating society, these advancements have been co-opted to further entrench systems of control and exploitation, giving rise to the so-called 'cognitarian class', individuals perpetually tethered to their labour and to cycles of consumption.

In our digital age, personal interests are commodified and converted into data points through clicks, likes, and endless engagement. Access to information and participation in online culture is contingent upon submission to these terms. Even platforms aligned with leftist or socialist ideals are not immune. We find ourselves confined within algorithmically engineered echo chambers, eventually turning against one another over issues pushed onto us for profit and for power.

Formally, the work adopts Futurist aesthetics; fragmented movement, dynamic composition, and visual complexity, to evoke the chaos of contemporary technological life and the impossibility of imagining any kind of linear route away from capital domination. ​