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Ongoing (2026)
A series of paintings and prints exhibited at Neurotitan Gallery, Berlin as part of Par Avion Project, a collaboration between Critical Edge Collective, Best Before Collective (Sweden) and 8 artists based in Berlin.

Again, That Tune (2026)
Collagraph with carborundum on Somerset 40x55cm
Part of 'Ongoing', a series of paintings and prints exhibited at Par Avion, Berlin 2026
Part of 'Ongoing', a series of paintings and prints exhibited at Par Avion, Berlin 2026

Ongoing (2026)
3x collagraph prints 40x55cm
4x oil on canvas
3x oil and acrylic on paper
Installation shot from Par Avion
4x oil on canvas
3x oil and acrylic on paper
Installation shot from Par Avion


Part of Ongoing (2026)
A paper painting chopped from the floor of my studio which withholds traces, marks and impressions from other works and studio labour.

Overtime on Site (left, 2026)
Collagraph on 410gsm Somerset, 180x120cm

Drying Boards (Overtime on Site)

Ongoing (2026)
Oil, acrylic, modelling paste, plaster, dust from home, work and the studio

Cabin (2026)
Oil, acrylic, modelling paste, plaster on canvas

Noise Dust and Other Nuisances (2026)
Acrylic, oil, plaster, dust from home, work and the studio, modelling paste
20x30cm
20x30cm

Regime Change (2025)
Mixed media on OSB board, 240x360cm. 2025

Regime Change (2025)
Mixed media on OSB board, 240x360cm. 2025

MULE (2024)
Oil on paper with hand-made frame, 100x75cm, 2024

Spent and Consumed (2023)
Silkscreen ink on 9 steel panels, 250x250cm

Lifelong (2023)
Silkscreen ink on steel, 63x50cm

Another Steel Day (2023)
Silkscreen ink on steel, 63x50cm

What the Fuck Are We Supposed to do? (2024)
Oil, charcoal, acrylic on canvas 165x300cm

What the Fuck Are We Supposed to do? (2024)
Shown at Copeland Gallery as part of Critical Edge's show "and you would have to believe it"

Falling/Apart (2024)
Silkscreen ink on Heritage Paper. 83x70cm. 2024

Say No 24 (2024)
Silkscreen ink on Heritage Paper. 83x70cm. 2024

"NOT" (2024)
Silkscreen ink on Heritage Paper. 83x70cm. 2024

Falling/Apart, Say No 24, NOT (2024)
Safehouse Gallery 2024

Toil Worn, Rusted (2024)
Etching made with rust pigment, 70x50cm. 2024

Toil Worn, Rusted (2024)
Etching made with rust pigment, 70x50cm. 2024

Clifford Chance Postgraduate Printmaker's Award (2023)
Toil Worn and Abraded displayed alongside Daily Battles and "And Many Suffer"
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